Art Filter Vs RAW

Though I rarely use them, the in-camera filters on the PEN-F are fun and you can see the effect through the viewfinder or screen while you take the image. This is a great advantage, especially for working in mono.

I have my camera set up to save the camera edited Jpeg and also the RAW image – with color and more detail, just in case I change my mind or want to edit in post – which is what I normally do. It gives you a lot more latitude for recovering detail in shadows and highlights compared to the Jpeg.

Olympus PEN-F RAW image (slight edit and crop).

I noticed with this particular image, the out of camera unedited JPEG with art filter had a bad effect on the girl’s right eye that I didn’t like – as seen below. At first I thought something very close and out of focus had got in the way, or my lens was dirty, but then I had a look at the RAW file above and it wasn’t there.

Out of camera Jpeg with “Dramatic Tone II” art filter applied.

So I re-edited the RAW file into mono instead below, just using the free OM Workspace software. I also noticed the filter above changed her jacket and the backlight coming through her hair, which I actually like, though I’m not keen on the artifacts in the top left corner or the flat rendering of the guys goatee. Small details to some perhaps.

RAW file edited to mono using OM Workspace.

I also tried re-applying the same filter to the RAW file in OM Workspace and it has the exact same effect as the in-camera filter! I’m curious now if the filter in the OM-1 does the same thing, I expect so.

This was a worthwhile find and experiment for me. There are other ways to create a mono image on the PEN-F without using the Art Filters, time to get creative in camera!

RAW file edited in Photoshop CS6.

Now I’ve noticed these things, I can’t unsee them! Looks like I’ll be editing the rest of the portraits in this series. Yes, there’s more, lol.

Thanks for visiting 😀

4 thoughts on “Art Filter Vs RAW

  1. I like the one in OM Workspace and CS6 the most,
    but, in the end it’s all a matter of taste.
    I actually don’t think the out camera with dramatic filter is that great,
    but, just like applying Luts, it works better on one subject and worse on another.
    But I can certainly understand that it is a lot of fun to try them out.
    I should try that too, I actually ignored them before.

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    1. I haven’t played with the filters much previously either. I only used OM Workspace for this post, I’ve now gone back to using DxO and CS6 as its faster and has much better control options as well as better denoising – though on black and white sometimes the noise adds to the image and seems more like film authentic.

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